MARNEEN LYNNE FIELDS WINS 2016 SONG OF THE YEAR (Runner-Up) WITH "I'VE NEVER EVER STOPPED LOVING YOU"

Fantastic new single from Marneen Lynne Fields. She has really outdone herself this time, terrific vocals and lovely production, great job! I am very proud and impressed! Produced by Steve Valenzuela (sound engineer on Kelly Clarkson's "Catch My Breath"), the song has a great vocal delivery that mixes parts of Ann Wilson (Heart) and Janis Joplin with some cool vocal phasing effects as it lays over an instrumental that is both crisp and clean yet also has some nice subtle hints of underground/garage rock. And like a lot of Marneen's music, it has a very cinematic quality that could easily see it incorporated into a feature film soundtrack. Wonderful song and performance from her. I really like some of the tones you find on this track, and the modulation. You can tell the lyrics and inspiration behind the song mean a lot to her. Terrific job on the CD cover by India artist, Raigon Stanley as well, perfectly reflects the song I think. It is one of those song that grows and grows on you and then stays with you (in a good way) for a long time afterwards. ENJOY the song here on Vimeo. If you leave a review or comment message Marneen with your e-mail for a free download of the song. https://vimeo.com/181001794

 

 

MARNEEN LYNNE FIELDS WINS 2016 SONG OF THE YEAR (Runner-Up) WITH "I'VE NEVER EVER STOPPED LOVING YOU"

 

Here's a look at more of the designs for the CD cover done by India artist, Raigon Stanley with photography by Runway Magazine USA fashion photographer, Wayne Wright taken of Marneen at the Claremont Train Station.

 

 

 

MARNEEN LYNNE FIELDS WINS 2016 SONG OF THE YEAR (Runner-Up) WITH "I'VE NEVER EVER STOPPED LOVING YOU"

 

 

Enjoy this review done by film and music journalist, Michelle Alexander. Former pioneering Hollywood stuntwoman, actress and now multi-talented singer-songwriter Marneen Lynne Fields’ latest single, ‘I’ve Never Stopped Loving You’ is an immaculately produced and wonderfully addictive pop-rock track. Fields’ sultry, earthy vocals have a welcome touch of chanteuse Marcella Detroit, emoting her words in a heartfelt, passionate, at times playful way. The instrumental backup amalgamates perfectly with Fields’ distinct voice; soaring keyboards, poignant piano, punchy guitar. These, plus Fields’ lyrics all combine to create a wonderfully memorable, unique and touching single. With an equally impressive body of musical work, here’s hoping that Marneen will soon release a much-anticipated album - Michelle Alexander, Chelle's Inferno.

 

 

ENJOY this review done by Ireland's award winning short story author, Richard Gibney. This singer’s trademark style is the vibrato. At times soaring, at times oh-so-quiet, the warbling tones are emotionally compelling, vulnerable and powerful in ways that makes you sit up and take notice. I loved this singer’s cover version of REM’s Everybody Hurts for the same reasons. This is a standard in an unconventional sense, a minor key, strangely lachrymose triumph. Its uniqueness gives one the urge to listen again, and then the song’s fine qualities grow on you, listen after listen. The simplicity of the words are like a 70s love song, but the personal touches to those same lines – a cottage across town, the removal of necklaces (suggesting perhaps the freeing from the shackles of a relationship in one respect) – highlight again the wonderfully unconventional nature of the singer’s vision. She’s a musically astute songwriter and singer – and she is avant-garde in the best sense.

ENJOY a look at the design I did for Marneen that will also be used in various promotions.